Aubree Oliverson
First Violin
Praised for her evocative lyricism and joyful, genuine approach, young American violinist Aubree Oliverson is proving to be one of the most compelling artists of her generation, distinguishing herself with clear, honest, and colourful performances, which have been described as “powerful… brimming with confidence and joy” by the (Miami New Times).
Acclaimed as a “masterful” soloist (San Diego Story), Oliverson’s most recent solo appearances in 2023 include season openings of the Chamber Orchestra of New York at Carnegie Hall (di Vittorio), Utah Symphony at Abravanel Hall (Morlot), Peace Orchestra Project (Mengoli), and Ridgefield Symphony with a pairing of the Barber and Esmail violin concertos. Other season highlights include performances with the Royal Liverpool Philharmonic (Teychenné), Columbus Symphony (Miller), Orquesta Sinfónica de Navarra (Hoving), North Carolina Symphony (Prieto), Pacific Symphony (St.Clair), Des Moines Symphony (St.Clair), Amarillo Symphony (Jackson), Moldavian Philharmonic (Macek), Excelentia Madrid (Braunstein), Slovak Sinfonietta (Foron), Rousse Philharmonic Orchestra (Sachedina), New Haven Symphony (So), Puerto Rico Symphony (Valdés), and the Kontrapunktus Baroque Ensemble; in works by Brahms, Dvorak, Barber, Bruch, Korngold, Mendelssohn, Tchaikovsky, Weinberg, Haydn, Saint-Saens, Esmail, and Bach.
Passionate about and at ease with all periods of classical repertoire, Oliverson is committed both to performing the beloved standard to a range of audiences, as well as bringing lesser-known pieces into their rightful spotlight: “I play music that speaks to me regardless of how often it’s already being played, rediscovering lost masterpieces and composers who deserve more attention, paired with my own fresh take on the classics. It’s my hope that if I love a piece, someone in the audience will too.” Among the works she has championed over the years are the Pergolesi Bb Major concerto, Julius Conus concerto (1896), Weinberg concertino (1948), Reena Esmail “The Blue Room” concerto (2007), Salvatore di Vittorio “Voyages of Aeneas” concerto (2022), and more, alongside her favorite standard repertoire.
A dynamic recitalist and sensitive chamber musician, Oliverson recently toured Europe with Jean-Yves Thibaudet, Clive Greensmith, and Tatjana Masurenko and collaborates this season with Anne Akiko Meyers and the Philharmonic Society of Orange County in duo works of Bach, Philip Glass, and Handel-Halvorsen. Other engagements include festivals such as the Aix-en-Provence Easter Festival with Gil Shaham, the Rome Chamber Music Festival, Oropa Music Festival, Moab Music Festival, ChamberFest West, and recitals at the Grand Teton Music Festival and SOKA Performing Arts Center, among many others. Oliverson has collaborated with world-renowned artists such as Robert McDuffie in Harris Hall at the Aspen Music Festival, Gil Shaham on tour in Mexico, Renaud Capuçon in France, Joseph Silverstein in Salt Lake City, and Lynn Harrell, Orli Shaham, Robert Chen, and Andrew Marriner in Los Angeles.
Dedicated to reaching a broader audience and the importance of music education from a young age, Oliverson has travelled to over 100 schools throughout the Western United States and spoken at national education conventions, encouraging thousands of children to work hard and participate in music. Recently, Oliverson presented digital master classes for organizations including the Orchestra of the Americas, Music to Save Humanity, and Kontrapunktus Baroque, and she participated in a masterclass and side-by-side performance with the Esperanza Azteca Youth Orchestra in Mexico.
Oliverson won the ‘Special Prize of Merit’ for violin at the prestigious Verbier Festival Academy, the Aspen Music Festival Dorothy Delay competition, a National YoungArts Foundation award, was honored as a United States Presidential Scholar in the Arts, and most recently named the 2023 Francis Rosen Prize recipient at the Colburn Conservatory, where she also obtained her Bachelor’s Degree and Artist Diploma. A former student of Debbie Moench, Eugene Watanabe, Danielle Belen, and Boris Kuschnir at the Musik und Kunst Privatuniversität der Stadt Wien, Aubree graduated from the Colburn Music Academy in 2016 and from the Colburn Conservatory in 2023, studying with the Jascha Heifetz Distinguished Violin Chair, Mr. Robert Lipsett, for nine years.
Aubree plays a very fine Giovanni Battista Guadagnini violin, kindly loaned to her by Irene R. Miller through the Beare's International Violin Society, and a Jean “Grand” Adam bow on loan from the Metzler Violin Shop.
Acclaimed as a “masterful” soloist (San Diego Story), Oliverson’s most recent solo appearances in 2023 include season openings of the Chamber Orchestra of New York at Carnegie Hall (di Vittorio), Utah Symphony at Abravanel Hall (Morlot), Peace Orchestra Project (Mengoli), and Ridgefield Symphony with a pairing of the Barber and Esmail violin concertos. Other season highlights include performances with the Royal Liverpool Philharmonic (Teychenné), Columbus Symphony (Miller), Orquesta Sinfónica de Navarra (Hoving), North Carolina Symphony (Prieto), Pacific Symphony (St.Clair), Des Moines Symphony (St.Clair), Amarillo Symphony (Jackson), Moldavian Philharmonic (Macek), Excelentia Madrid (Braunstein), Slovak Sinfonietta (Foron), Rousse Philharmonic Orchestra (Sachedina), New Haven Symphony (So), Puerto Rico Symphony (Valdés), and the Kontrapunktus Baroque Ensemble; in works by Brahms, Dvorak, Barber, Bruch, Korngold, Mendelssohn, Tchaikovsky, Weinberg, Haydn, Saint-Saens, Esmail, and Bach.
Passionate about and at ease with all periods of classical repertoire, Oliverson is committed both to performing the beloved standard to a range of audiences, as well as bringing lesser-known pieces into their rightful spotlight: “I play music that speaks to me regardless of how often it’s already being played, rediscovering lost masterpieces and composers who deserve more attention, paired with my own fresh take on the classics. It’s my hope that if I love a piece, someone in the audience will too.” Among the works she has championed over the years are the Pergolesi Bb Major concerto, Julius Conus concerto (1896), Weinberg concertino (1948), Reena Esmail “The Blue Room” concerto (2007), Salvatore di Vittorio “Voyages of Aeneas” concerto (2022), and more, alongside her favorite standard repertoire.
A dynamic recitalist and sensitive chamber musician, Oliverson recently toured Europe with Jean-Yves Thibaudet, Clive Greensmith, and Tatjana Masurenko and collaborates this season with Anne Akiko Meyers and the Philharmonic Society of Orange County in duo works of Bach, Philip Glass, and Handel-Halvorsen. Other engagements include festivals such as the Aix-en-Provence Easter Festival with Gil Shaham, the Rome Chamber Music Festival, Oropa Music Festival, Moab Music Festival, ChamberFest West, and recitals at the Grand Teton Music Festival and SOKA Performing Arts Center, among many others. Oliverson has collaborated with world-renowned artists such as Robert McDuffie in Harris Hall at the Aspen Music Festival, Gil Shaham on tour in Mexico, Renaud Capuçon in France, Joseph Silverstein in Salt Lake City, and Lynn Harrell, Orli Shaham, Robert Chen, and Andrew Marriner in Los Angeles.
Dedicated to reaching a broader audience and the importance of music education from a young age, Oliverson has travelled to over 100 schools throughout the Western United States and spoken at national education conventions, encouraging thousands of children to work hard and participate in music. Recently, Oliverson presented digital master classes for organizations including the Orchestra of the Americas, Music to Save Humanity, and Kontrapunktus Baroque, and she participated in a masterclass and side-by-side performance with the Esperanza Azteca Youth Orchestra in Mexico.
Oliverson won the ‘Special Prize of Merit’ for violin at the prestigious Verbier Festival Academy, the Aspen Music Festival Dorothy Delay competition, a National YoungArts Foundation award, was honored as a United States Presidential Scholar in the Arts, and most recently named the 2023 Francis Rosen Prize recipient at the Colburn Conservatory, where she also obtained her Bachelor’s Degree and Artist Diploma. A former student of Debbie Moench, Eugene Watanabe, Danielle Belen, and Boris Kuschnir at the Musik und Kunst Privatuniversität der Stadt Wien, Aubree graduated from the Colburn Music Academy in 2016 and from the Colburn Conservatory in 2023, studying with the Jascha Heifetz Distinguished Violin Chair, Mr. Robert Lipsett, for nine years.
Aubree plays a very fine Giovanni Battista Guadagnini violin, kindly loaned to her by Irene R. Miller through the Beare's International Violin Society, and a Jean “Grand” Adam bow on loan from the Metzler Violin Shop.