Matthew Halls
Guest Conductor
Mathew Halls was named Chief Conductor-designate of Finland’s Tampere Philharmonic in September 2022. He returns to Tampere this autumn to conduct Bruckner’s Seventh Symphony, before debuting with the Orchestre de chambre de Paris and Minnesota Orchestra, and continuing long-standing partnerships with the Mozarteumorchester Salzburg, Houston Symphony, and Indianapolis Symphony.
Halls regularly guest conducts the Cleveland Orchestra, Seattle Symphony, Iceland Symphony, Wiener Symphoniker, Finnish Radio Symphony, Dallas Symphony, and Los Angeles Chamber Orchestra among others. Recent highlights include Mahler’s “Resurrection†Symphony with the Toronto Symphony, the U.S. premiere of James MacMillan’s Fourth Symphony with Pittsburgh Symphony (Matthew previously conducted the world premiere of MacMillan’s European Requiem) and his Chicago Symphony debut.
With a background in period-performance, Halls was one of the first to guest conduct Nikolaus Harnoncourt’s Concentus Musicus Wien. His discography includes Bach’s Harpsichord Concertos directed from the keyboard, the premiere recording of Handel’s Parnasso in Festa (which won the Stanley Sadie Handel prize) and Bach’s Easter and Ascension Oratorios. In the theatre, his operatic credits range from Handel’s Ariodante to Puccini’s Madama Butterfly.
Halls regularly guest conducts the Cleveland Orchestra, Seattle Symphony, Iceland Symphony, Wiener Symphoniker, Finnish Radio Symphony, Dallas Symphony, and Los Angeles Chamber Orchestra among others. Recent highlights include Mahler’s “Resurrection†Symphony with the Toronto Symphony, the U.S. premiere of James MacMillan’s Fourth Symphony with Pittsburgh Symphony (Matthew previously conducted the world premiere of MacMillan’s European Requiem) and his Chicago Symphony debut.
With a background in period-performance, Halls was one of the first to guest conduct Nikolaus Harnoncourt’s Concentus Musicus Wien. His discography includes Bach’s Harpsichord Concertos directed from the keyboard, the premiere recording of Handel’s Parnasso in Festa (which won the Stanley Sadie Handel prize) and Bach’s Easter and Ascension Oratorios. In the theatre, his operatic credits range from Handel’s Ariodante to Puccini’s Madama Butterfly.